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- <text id=94TT1312>
- <title>
- Sep. 26, 1994: Cinema:L.A. Futzing
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Sep. 26, 1994 Taking Over Haiti
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/CINEMA, Page 78
- L.A. Futzing
- </hdr>
- <body>
- <p> The New Age aims for chic anomie but is merely boring
- </p>
- <p>By Richard Schickel
- </p>
- <p> Peter and Katherine (Peter Weller and Judy Davis) are bored
- and careless. They lose jobs, take on lovers, futz around with
- guru-driven spirituality and dress to the nines. You could argue,
- as writer-director Michael Tolkin doubtless did when he was
- pitching The New Age, that they are perfect exemplars of chic
- anomie as it manifests itself in postmodern--or postrational--Los Angeles. You could also argue, as people whose malls
- don't yet contain an Issey Miyake boutique might, that they
- are hopeless twits.
- </p>
- <p> It is possible that Tolkin, who in 1992 adapted his own novel,
- The Player, for the screen, harbored satirical hopes for this
- project. But as a director he lacks the antic eye that (often
- enough to keep us interested) rescues Robert Altman from depression
- and pretension. Tolkin just doesn't know how to position himself--far enough from his characters to make fun of them, close
- enough to them to retain our sympathy. And the question of whether
- they will make a go of Hipocracy, the upmarket clothing store
- they decide to open, is not a compelling one. Shopkeeping cannot
- compare to moviemaking and murder (The Player's topics) in dramatic
- interest. Peter and Katherine don't even bicker entertainingly
- as their marriage collapses; they just drawl withdrawal. The
- languid self-satisfaction of The New Age, the sense that its
- maker knows most people will hate it and doesn't care because
- he's issuing "a personal statement," is its most annoying quality.
- Don't be suckered. Your first instinct is right. It's a terrible
- movie.
- </p>
-
- </body>
- </article>
- </text>
-
-